Time for Action. Housing Movements in the 20th Century
Life Reform and Social Movements in Modernity 3.

Opening: 25 January 2017, 6 pm

The exhibition will be opened by László Bass, sociologist, inventor of the game Szociopoly, after which the School for Public Life research group will give a presentation.

The exhibition is on view from 26 January to 2 April 2017.

“Always just words, and more words, debating your lives away. When is the time for action, if not now?”

Lajos Kassák, Angyalföld, Magyar Helikon, Budapest, 1958.

A participation based exhibition by the Kassák Museum and the School of Public Life (Közélet Iskolája) surveying the struggles for housing from the beginning of the twentieth century until the political transition of 1989. It covers the common strategies of those involved, their practical methods for survival and their attempts at solutions and self-organisation.

The work of Lajos Kassák was not confined to art, and he was active in many areas as a cultural intermediary and public figure. In 2012, with this in mind, the Kassák Museum launched a programme of exhibitions and research, Life Reform and Social Movements in Modernity, to provide space for presenting socially sensitive subjects and artistic projects. The latest in the series is Time for Action. Housing Movements in the 20th Century, an exhibition put on in collaboration with the School of Public Life community education and research centre.

The exhibition has a direct connection with Kassák’s work. His autobiographical novel The Life of a Man includes an evocation of the world of overcrowded tenements and describes events of the time such as the struggle for universal suffrage, rent strikes, the 1918 Aster Revolution and the Hungarian Soviet Republic. Kassák wrote a whole book on the struggle of housing tenants called Angyalföld, quoted in the exhibition title. In 1928, he launched the journal Munka [Work], which focused on exposing social inequalities. The group that formed up around Munka worked for the emancipation of people living in poverty, and the exhibition presents photographs taken by its sociophotography section to document housing conditions of the time.

The School of Public Life supports active social participation by people living in exclusion. In 2015, it launched a research project involving people living in homelessness and housing poverty. It studied the history of grassroots organisation aimed at achieving decent housing conditions by the standards of the time, focusing on the people involved and what they did. It also drew attention to comparable action that people are taking to address today’s housing problems. In order to reach the people who face the same problems today, a travelling exhibition displayed the research findings in social and community institutions and public spaces.

Kassák Museum staff and researchers from the School of Public Life have been working together intensively for nearly a year – since January 2016 – on an exhibition that presents community action and self-organisation initiatives directed at current housing problems. The outcome is unusual in that what visitors will see is not a selection by museum curators. The exhibition concept and the way the documents are presented has developed in collaboration with researchers who have directly experienced homelessness. Our purpose was to let poverty be seen from the viewpoint of people living on the periphery of society, highlighting practical schemes for survival and historical examples of joint action and self-organisation.

It is important to bear in mind that we had very few documents or photographs of the conditions in which poor urban families, unemployed people and casual workers lived. In media images, people living in poverty are often the objects of revulsion and pity, or regarded as exotic creatures. There have historically been few opportunities for people at the bottom of the social pile to record their experiences in photographs or diaries. Among the exceptions are photographs taken by Sándor Gönci in 1932 showing the life of a family living in a hovel in the outskirts of Pesterzsébet. The mass squats of 1956 are the subject of an audio drama written in collaboration with the historian Eszter Zsófia Tóth and performed by members of the group who created the exhibition. The optimism of the political transition is evoked in a diary kept by András Nagy Bandó, with sketches of the people who took part in the demonstrations by homeless people in the winter of 1989/1990. Complementing the personal stories and material produced by those who were personally involved are pictures by photographers and other observers with sensitivity to social problems, including Károly Escher, János Müllner, Imre Benkő, Gabriella Csoszó and Krisztina Erdei.

Collaborating partner: School of Public Life

Exhibition creators

From the School of Public Life: Ilona Csécsei, Andrea Csengei, Magdolna Palotai, Éva Tessza Udvarhelyi and Károly Szombathy

From the Kassák Museum: Judit Csatlós, Eszter Őze

Assistant curator: Kitti Horváth

Design: Lili Thury

Fabrication and installation: Ferenc Badak, Attila Batári, László Gyürky, Gyula Kemény, Annamária Kocsis Holicza and Attila Szabó

Supported by: National Cultural Fund (NKA)

Lending partners: Budapesti Történeti Múzeum Kiscelli Múzeuma, Csokonai Művelődési Központ, Ferencvárosi Helytörténeti Gyűjtemény, Fortepan, Fővárosi Szabó Ervin Könyvtár Budapest Gyűjteménye, Ildikó Hajdu, Péter Karácsonyi, Árpád Kelemen, Lechner Tudásközpont, Magyar Máltai Szeretetszolgálat, Magyar Nemzeti Múzeum, Magyar Távirati Iroda Nonprofit Zrt., Magyar Zsidó Múzeum és Levéltár, Mihalik Sándor Helytörténeti Kör, András Nagy Bandó, Néprajzi Múzeum, Országos Széchényi Könyvtár, Pesterzsébeti Múzeum, Politikatörténeti Intézet Levéltára, Rákospalotai Múzeum, Tomory Lajos Múzeum, Eszter Zsófia Tóth, A város peremén

Exhibitors: Imre Benkő, Gabriella Csoszó, Krisztina Erdei, M. Judit Horváth, Péter Horváth, Péter Korniss and Tamás Révész

Thanks to: Mária Ady, László Garbóczi, Péter Győri, Endre Koronczi, Éva Kovács, Zsuzsanna Kőrösi, István Megyeri, Andrea Pócsik, Attila Pomázi, Gergely Pulay, Iván Szelényi, Samu Szemerey, Gábor Tabajdi and Imréné Torma

Special thanks to: FKSE, OSA